In your role as a compliance officer for a major listed UK bank, your manager has asked you to produce a report addressing the following:
- Provide an update on the Basel III addressing the key areas of Basel III Regulations. Now the rules are fully implemented comment on the overall level of capital held by UK listed banks.
- Critically evaluate the use of Bail-In resolution. This was one of the recommendations of Sir John Vickers ICB report. Comment on the implementation in the UK while giving an overview of implementation globally and its potential to reduce systemic risks associated with a financial crisis
Is there a right answer?
Sample Solution
way of positioning themselves as hetero- sexual. These performative enactments enable the model to situate himself on the ârightâ (i.e. normative) side of the sexuality divide. These comments are themselves performa- tive; made to ensure no misconception on our part that they were gay, and to frame the interview as a normative heterosexual encounter. Further, the models sometimes became flirtatious during the interview and with female models in the agency. Indeed, the most common performance by London models was distinctly âladdishâ in style (Gill, 2003): slouchy, jokey, irreverent, including sexual references and jokes. As these examples highlight, heterosexuality and homosexuality are âwornâ on the body, very much like drag, through gestures and behaviour in work interactions. In contrast to their laddish performances âoff the clockâ, these men are frequently called upon by photographers to exude homoerotic appeal on photo-shoots. As one model put it, âphotographers want you to give them sex, sex, sexâ because âsex sellsâ commodities. In a curious extension of Simon de Beauvoirâs famous denouncement, men, as well as women, are âthe sexâ in this context. Since photographers can be very influential in promoting a new model, it makes sense to win them over by being sexy and flirtatious. The aim is, as one model put it, to âkeep them guessingâ as to their sexuality. These men are realistic about the work and its erotic content, and they are not afraid of the gay gaze. In this way, male modelling âqueersâ normative definitions of masculinity by confounding the conventions and expectations of dominant heterosexual masculinity. It is an occupation that challenges conventional notions of work and of what a âreal manâ should do. Get help with your essay today, from our professional essay writers! Qualified writers in the subject of sociology are ready and waiting to help you with your studies. Get help with your essay View professionally written samples However, the heightened sexuality of modelling work frequently spills over to become something of an occupational hazard: stories of the âcasting couchâ were frequently told, with models on the receiving end of unwanted sexual advances from photographers and stylists while on photo-shoots, and, in one case in our sample, from a modelâs booker. Nearly every model saw such encounters as an occupational hazard; most male models told of unwanted sexual advances from gay men, either first-hand accounts or stories of friendsâ ordeals.>
way of positioning themselves as hetero- sexual. These performative enactments enable the model to situate himself on the ârightâ (i.e. normative) side of the sexuality divide. These comments are themselves performa- tive; made to ensure no misconception on our part that they were gay, and to frame the interview as a normative heterosexual encounter. Further, the models sometimes became flirtatious during the interview and with female models in the agency. Indeed, the most common performance by London models was distinctly âladdishâ in style (Gill, 2003): slouchy, jokey, irreverent, including sexual references and jokes. As these examples highlight, heterosexuality and homosexuality are âwornâ on the body, very much like drag, through gestures and behaviour in work interactions. In contrast to their laddish performances âoff the clockâ, these men are frequently called upon by photographers to exude homoerotic appeal on photo-shoots. As one model put it, âphotographers want you to give them sex, sex, sexâ because âsex sellsâ commodities. In a curious extension of Simon de Beauvoirâs famous denouncement, men, as well as women, are âthe sexâ in this context. Since photographers can be very influential in promoting a new model, it makes sense to win them over by being sexy and flirtatious. The aim is, as one model put it, to âkeep them guessingâ as to their sexuality. These men are realistic about the work and its erotic content, and they are not afraid of the gay gaze. In this way, male modelling âqueersâ normative definitions of masculinity by confounding the conventions and expectations of dominant heterosexual masculinity. It is an occupation that challenges conventional notions of work and of what a âreal manâ should do. Get help with your essay today, from our professional essay writers! Qualified writers in the subject of sociology are ready and waiting to help you with your studies. Get help with your essay View professionally written samples However, the heightened sexuality of modelling work frequently spills over to become something of an occupational hazard: stories of the âcasting couchâ were frequently told, with models on the receiving end of unwanted sexual advances from photographers and stylists while on photo-shoots, and, in one case in our sample, from a modelâs booker. Nearly every model saw such encounters as an occupational hazard; most male models told of unwanted sexual advances from gay men, either first-hand accounts or stories of friendsâ ordeals.>
