Analyze several forms of media over a select time period for racial representation and stereotypes; compare and contrast media outlets and their patterns of representation, applying course terms and theories.
Sample Solution
political system in Brobdingnag is very ideal and orderly, in which law guarantees freedom and welfare of the nationals. Gulliver introduces to the King Englandâs society and political system and embellishes the truth. He describes how great England is, how judicious the politics is and how just the law is. However, he could barely defend himself facing the Kingâs question. Besides, the comparison between the Kingâs liberal governance and rule under Englandâs bourgeois class reveals corruption of its politics. Third, the ruling class of the country of the Houyhnhnms are horse-like beings of reason, justice and honesty, whereas the ruled class (yahoos) are heinous, greedy and pugnacious creatures. The contrast between the Houyhnhnms and the Yahoos is extreme. The horses are clean and sweet-smelling; their diet is temperate and vegetarian. Their habits constitute the temperance that the eighteenth century thought characterized reasonable man. The Yahoos, on the other hand, are human in form and feature. They are filthy and they stink. They are omnivorous but seem to prefer meat and garbage. Satire refers to a genre of literature which is often used by literary persons as a witty weapon to hold up vices, follies and shortcomings in a society to ridicule, usually with the intent of mocking individuals or society into improvement. Samuel Johnson (1709-84) defined satire as âa poem in which wickedness or folly is censuredâ. Besides the fact that few, if any, would nowadays confine satire to poetry, the rest of the definition works well enough. Satire condemns, either overtly or covertly, what it believes to be wrong, generally with a view to achieving reform. It works best when there is general agreement among its readers about what is right or normal. It may be directed against an individual, a group or humanity in general. Irony, ridicule, parody, sarcasm, exaggeration are common satirical techniques, in which the first is the most common employed one. As a major technique of satire, irony involves a difference or contrast between appearance and reality â that is a discrepancy between what appears to be true and what really is true. Three kinds of irony have been recognized since antiquity. First, dramatic irony derives from classical Greek literature and from theatre. It refers to a situation in which the audience has knowledge denied to one or more of the characters on stage. In other words, dramatic irony occurs when a character states something that they believe to be true but that the reader knows is not true. The key to dramatic irony is the readerâs foreknowledge of coming events. Second or more reading of stories often increases dramatic irony because of knowledge that was not present in the first reading. For example, in Twelfth Night composed by Shakespeare, Malvolioâs hopes of a bright future derive from a letter which the audience knows to be faked. Second, verbal irony, sometimes known as linguistic irony, occurs when people say the opposite of what they really mean. Therefore, it often carries two meanings: the explicit meaning and a often mocking meaning running counter to the first. This is probably the most common type of irony. Third, Socratic irony takes its name from the ancient Greek writer Socrates, who often in his philosophic dialogues asks apparently foolish questions which actually move the debate in the direction he wants. Nowadays, two further conceptions have been added: structural irony and romantic irony. The first one is built into texts in such a way that both the surface meaning and deeper implications are present more or less throughout. One of the most common ways of achieving structural irony is through the use of a narrator, whose simple and straightforward comments are at variance with the readerâs interpretation. Swift applies this technique in Gulliverâs Travel by setting Gulliver as the narrator of the stories. In Romantic irony, writers conspire with readers to share the double vision of what is happening in the plot of a novel, film, etc.. In this form of writing, the writer sets up the world of his text, and then deliberately undermines it by reminding the reader that it is only a form of illusion.>
political system in Brobdingnag is very ideal and orderly, in which law guarantees freedom and welfare of the nationals. Gulliver introduces to the King Englandâs society and political system and embellishes the truth. He describes how great England is, how judicious the politics is and how just the law is. However, he could barely defend himself facing the Kingâs question. Besides, the comparison between the Kingâs liberal governance and rule under Englandâs bourgeois class reveals corruption of its politics. Third, the ruling class of the country of the Houyhnhnms are horse-like beings of reason, justice and honesty, whereas the ruled class (yahoos) are heinous, greedy and pugnacious creatures. The contrast between the Houyhnhnms and the Yahoos is extreme. The horses are clean and sweet-smelling; their diet is temperate and vegetarian. Their habits constitute the temperance that the eighteenth century thought characterized reasonable man. The Yahoos, on the other hand, are human in form and feature. They are filthy and they stink. They are omnivorous but seem to prefer meat and garbage. Satire refers to a genre of literature which is often used by literary persons as a witty weapon to hold up vices, follies and shortcomings in a society to ridicule, usually with the intent of mocking individuals or society into improvement. Samuel Johnson (1709-84) defined satire as âa poem in which wickedness or folly is censuredâ. Besides the fact that few, if any, would nowadays confine satire to poetry, the rest of the definition works well enough. Satire condemns, either overtly or covertly, what it believes to be wrong, generally with a view to achieving reform. It works best when there is general agreement among its readers about what is right or normal. It may be directed against an individual, a group or humanity in general. Irony, ridicule, parody, sarcasm, exaggeration are common satirical techniques, in which the first is the most common employed one. As a major technique of satire, irony involves a difference or contrast between appearance and reality â that is a discrepancy between what appears to be true and what really is true. Three kinds of irony have been recognized since antiquity. First, dramatic irony derives from classical Greek literature and from theatre. It refers to a situation in which the audience has knowledge denied to one or more of the characters on stage. In other words, dramatic irony occurs when a character states something that they believe to be true but that the reader knows is not true. The key to dramatic irony is the readerâs foreknowledge of coming events. Second or more reading of stories often increases dramatic irony because of knowledge that was not present in the first reading. For example, in Twelfth Night composed by Shakespeare, Malvolioâs hopes of a bright future derive from a letter which the audience knows to be faked. Second, verbal irony, sometimes known as linguistic irony, occurs when people say the opposite of what they really mean. Therefore, it often carries two meanings: the explicit meaning and a often mocking meaning running counter to the first. This is probably the most common type of irony. Third, Socratic irony takes its name from the ancient Greek writer Socrates, who often in his philosophic dialogues asks apparently foolish questions which actually move the debate in the direction he wants. Nowadays, two further conceptions have been added: structural irony and romantic irony. The first one is built into texts in such a way that both the surface meaning and deeper implications are present more or less throughout. One of the most common ways of achieving structural irony is through the use of a narrator, whose simple and straightforward comments are at variance with the readerâs interpretation. Swift applies this technique in Gulliverâs Travel by setting Gulliver as the narrator of the stories. In Romantic irony, writers conspire with readers to share the double vision of what is happening in the plot of a novel, film, etc.. In this form of writing, the writer sets up the world of his text, and then deliberately undermines it by reminding the reader that it is only a form of illusion.>
