Defineâthen compare and contrastâline item budgeting, performance budgeting, planning programming budgeting (PPB), incremental budgeting, and zero base budgeting (ZBB). What are the features, advantages, and disadvantages of each? Which do you think should be used today? Defend your answer. In a second paragraph, explain the connection between budgeting and the types of federalism (dual federalism, cooperative federalism, creative federalism, and new federalism). Which model is commonly used today and what purpose do bureaucrats have in administering the public’s will through stewardship of public funds? How does your world view influence your perspective?
Sample Solution
This paper plans to examine the job of Bangladesh National Museum to defend elusive social legacy which is considered as the central of substantial culture. Sadly, for the disagreeable effect of modernization, our impalpable social legacies are under genuine risk to its reality which is exceptionally disturbing for us in such a case that we neglect to protect our immaterial social legacy, we will lose our substance as an unmistakable country in the guide of the world. National Museum as a pioneer association of the administration assume successful job to shield immaterial social legacy from numerous points of view. Presentation: The social legacy of Bangladesh is extremely rich and generally profoundly viewed by the world network as it has uniqueness and specialities which are unmistakable in character. This legacy incorporates both substantial and immaterial societies. From the crude age to the present day Bangladesh is an arable soil of elusive social legacy like melody, ceremonies, custom, move, performing workmanship, bubbly, games, food, folktales and architecture.etc and these immaterial legacies have noteworthy impact in transit of life of the individuals which makes Bangladeshi individuals particular from different countries. It ought to be referenced that the substantial culture of Bangladesh is in all respects remarkably special like art, distinctive kind of articles and all ancient pieces. Bangladesh National Museum has begun its voyage in 1913 as Dhaka Museum. Dhaka Museum was situated at Nimtoli Baro Duari zone of Dhaka with two rooms. In the long run, Dhaka Museum changed updated as Bangladesh National Museum in 1983 and moved to present structure at Shahbag. Bangladesh National Museum has a gathering of close to 86 thousand ancient pieces. As a wing of the Ministry of Cultural Affairs, People’s Republic of Bangladesh, Bangladesh Namtional Museum is assuming vaital job to protect unmistakable and elusive legacy of the nation and depicting rich, constructive and splendid picture before the world network. On August 7, 2013 Bangladesh National Museum praised its 100 years of foundation. In its long voyage, it has taken numerous achievement activities to defend impalpable social legacies. 1.1 Methodology Both essential and optional information have been utilized to set up this paper. Essential information were gathered from the meeting and dialog of the Bangladesh National Museum staffs. What’s more, optional information were gathered from various books, diaries and articles. What is Intangible Cultural Heritage? At the point when sociologists talk about culture, they are increasingly intrigued about the highlights of society which are found out instead of acquired and these highlights help individuals from the general public to co-work and speak with one another which encourage them to make regular stage to make due in a general public. Culture comprises of both elusive perspectives and unmistakable viewpoints. Impalpable viewpoints incorporate conviction, thoughts, values and substantial perspective incorporates the articles, images and advances which compare to that angle (Giddens, 2001). Culture originates from the Latin word ‘colere’ signifies ‘to develop’ ‘to till the dirt’. Smelse (1993) characterized culture as ‘a lot of qualities, perspectives on the real world, and codes of conduct, held in like manner individuals who offer a particular lifestyle’. Schaefer (2006) recognized culture as ‘ totality of adapted, socially transmitted traditions, information, material items, and conduct’. Giddens (2001) has given a more extensive view about culture .He says that culture alludes to the lifestyles of the individuals from the general public, or of gatherings inside a general public. Lifestyles of the individuals from the general public or gathering comprise of unmistakable and immaterial culture. Impalpable culture can not be contacted which is inverse to the substantial. Immaterial culture incorporates tune, music, show, aptitudes, and others. Essential Texts of the 2003 show for the shielding of the Intangible Cultural Heritage characterized Intangible Cultural Heritage in page-5 as ‘⦠⦠..the practices, portrayals, articulations, learning, abilities just as the instruments, items, ancient rarities, and social spaces related therewith-that networks, gatherings and, at times, people perceive as a feature of their social legacy. This impalpable legacy, transmitted from age to age, is always related by networks and gatherings because of their condition, their cooperation with nature and history, and furnishes them with a feeling of character and coherence, subsequently advancing admiration for social decent variety and human imagination⦠⦠.’ ‘⦠..the elusive Cultural Heritage, as characterized above, is showed entomb alia the accompanying spaces: Oral conventions and articulations, including language as a vehicle of the intangiable social legacy; Performing expressions;>
This paper plans to examine the job of Bangladesh National Museum to defend elusive social legacy which is considered as the central of substantial culture. Sadly, for the disagreeable effect of modernization, our impalpable social legacies are under genuine risk to its reality which is exceptionally disturbing for us in such a case that we neglect to protect our immaterial social legacy, we will lose our substance as an unmistakable country in the guide of the world. National Museum as a pioneer association of the administration assume successful job to shield immaterial social legacy from numerous points of view. Presentation: The social legacy of Bangladesh is extremely rich and generally profoundly viewed by the world network as it has uniqueness and specialities which are unmistakable in character. This legacy incorporates both substantial and immaterial societies. From the crude age to the present day Bangladesh is an arable soil of elusive social legacy like melody, ceremonies, custom, move, performing workmanship, bubbly, games, food, folktales and architecture.etc and these immaterial legacies have noteworthy impact in transit of life of the individuals which makes Bangladeshi individuals particular from different countries. It ought to be referenced that the substantial culture of Bangladesh is in all respects remarkably special like art, distinctive kind of articles and all ancient pieces. Bangladesh National Museum has begun its voyage in 1913 as Dhaka Museum. Dhaka Museum was situated at Nimtoli Baro Duari zone of Dhaka with two rooms. In the long run, Dhaka Museum changed updated as Bangladesh National Museum in 1983 and moved to present structure at Shahbag. Bangladesh National Museum has a gathering of close to 86 thousand ancient pieces. As a wing of the Ministry of Cultural Affairs, People’s Republic of Bangladesh, Bangladesh Namtional Museum is assuming vaital job to protect unmistakable and elusive legacy of the nation and depicting rich, constructive and splendid picture before the world network. On August 7, 2013 Bangladesh National Museum praised its 100 years of foundation. In its long voyage, it has taken numerous achievement activities to defend impalpable social legacies. 1.1 Methodology Both essential and optional information have been utilized to set up this paper. Essential information were gathered from the meeting and dialog of the Bangladesh National Museum staffs. What’s more, optional information were gathered from various books, diaries and articles. What is Intangible Cultural Heritage? At the point when sociologists talk about culture, they are increasingly intrigued about the highlights of society which are found out instead of acquired and these highlights help individuals from the general public to co-work and speak with one another which encourage them to make regular stage to make due in a general public. Culture comprises of both elusive perspectives and unmistakable viewpoints. Impalpable viewpoints incorporate conviction, thoughts, values and substantial perspective incorporates the articles, images and advances which compare to that angle (Giddens, 2001). Culture originates from the Latin word ‘colere’ signifies ‘to develop’ ‘to till the dirt’. Smelse (1993) characterized culture as ‘a lot of qualities, perspectives on the real world, and codes of conduct, held in like manner individuals who offer a particular lifestyle’. Schaefer (2006) recognized culture as ‘ totality of adapted, socially transmitted traditions, information, material items, and conduct’. Giddens (2001) has given a more extensive view about culture .He says that culture alludes to the lifestyles of the individuals from the general public, or of gatherings inside a general public. Lifestyles of the individuals from the general public or gathering comprise of unmistakable and immaterial culture. Impalpable culture can not be contacted which is inverse to the substantial. Immaterial culture incorporates tune, music, show, aptitudes, and others. Essential Texts of the 2003 show for the shielding of the Intangible Cultural Heritage characterized Intangible Cultural Heritage in page-5 as ‘⦠⦠..the practices, portrayals, articulations, learning, abilities just as the instruments, items, ancient rarities, and social spaces related therewith-that networks, gatherings and, at times, people perceive as a feature of their social legacy. This impalpable legacy, transmitted from age to age, is always related by networks and gatherings because of their condition, their cooperation with nature and history, and furnishes them with a feeling of character and coherence, subsequently advancing admiration for social decent variety and human imagination⦠⦠.’ ‘⦠..the elusive Cultural Heritage, as characterized above, is showed entomb alia the accompanying spaces: Oral conventions and articulations, including language as a vehicle of the intangiable social legacy; Performing expressions;>
