To what extent are protocols and guidelines a useful way to ensure that we get care right,’
Sample Solution
in this essay i will be exploring the way in which women are represented in romantic cinema; focusing on romantic comedies and whether the modern day has brought about change in how women are portrayed in this genre. As it is commonly acknowledged the role and treatment of women in society has changed over the years and also within film. I will be focusing on the romantic comedy genre due to its main target audience being women, so it is particularly interesting to investigate how women are being portrayed to a female audience. Romantic comedies are a combination of both romantic and comedy genres and is defined as âa movie or play that deals with love in a light, humorous way.â It is key to look at the history of the genre before discussing its changes over the years and the role of women within this. The genre has existed in several forms over the years but was made popular by William Shakespeare with plays such as Much ado about nothing and a midsummer nights dream. With the development of movies in the early 20th century with early silent films such as Girl shy being the first on screen forms of this. early forms of rom coms were referred to as âcomedies of mannersâ with a rich person falling in love with someone less wealthy. A good example of this would be it happened one night 1934. This developed into the popularity of screwball romantic comedies which in the 1930s often focused on a female protagonist and hero eg Bringing Up Baby (1938) and The Philadelphia Story (1940). During the 50s and 60s the form developed to popular sex comedies, focusing on the differences between women and men. eg Desk Set (1957), the Rock Hudson-Doris Day hit Lover Come Back (1961), and the very on-the-nose Battle of the Sexes (1960). These changes happened for several reasons; sexual research by Alfred Kinsey opened up the idea that women have sex drives and engage in premarital sex. With the emergence of Playboy magazine in 1953 giving men guides to developing relationships with women, meant less censorship in films leading to the popularity of this form. This form quickly developed into radical comedies where a happy ending wasnât a given and the personal happiness was important and not romantic love which wouldnât solve a characters problems. This development led to the form of romantic comedies we are mostly familiar with neo-tradi>
in this essay i will be exploring the way in which women are represented in romantic cinema; focusing on romantic comedies and whether the modern day has brought about change in how women are portrayed in this genre. As it is commonly acknowledged the role and treatment of women in society has changed over the years and also within film. I will be focusing on the romantic comedy genre due to its main target audience being women, so it is particularly interesting to investigate how women are being portrayed to a female audience. Romantic comedies are a combination of both romantic and comedy genres and is defined as âa movie or play that deals with love in a light, humorous way.â It is key to look at the history of the genre before discussing its changes over the years and the role of women within this. The genre has existed in several forms over the years but was made popular by William Shakespeare with plays such as Much ado about nothing and a midsummer nights dream. With the development of movies in the early 20th century with early silent films such as Girl shy being the first on screen forms of this. early forms of rom coms were referred to as âcomedies of mannersâ with a rich person falling in love with someone less wealthy. A good example of this would be it happened one night 1934. This developed into the popularity of screwball romantic comedies which in the 1930s often focused on a female protagonist and hero eg Bringing Up Baby (1938) and The Philadelphia Story (1940). During the 50s and 60s the form developed to popular sex comedies, focusing on the differences between women and men. eg Desk Set (1957), the Rock Hudson-Doris Day hit Lover Come Back (1961), and the very on-the-nose Battle of the Sexes (1960). These changes happened for several reasons; sexual research by Alfred Kinsey opened up the idea that women have sex drives and engage in premarital sex. With the emergence of Playboy magazine in 1953 giving men guides to developing relationships with women, meant less censorship in films leading to the popularity of this form. This form quickly developed into radical comedies where a happy ending wasnât a given and the personal happiness was important and not romantic love which wouldnât solve a characters problems. This development led to the form of romantic comedies we are mostly familiar with neo-tradi>
