Write a strategy for electing a democratic to the House of Representatives from Alabama’s 3rd Congressional District. And also think of a title.
Sample Solution
In this paper, I would like to critically reflect and analyze the apparent ocularcentrism, that is, its hierarchical privileging of sight over the other senses, observable in the history of Western culture. To begin with I will attempt to examine the origins of this hegemony of the visual sense. Following which I move on to the critique of this ocularcentrism and discuss its opposition in philosophy, arising from the late 18th century onwards. Then I analyze the reaction of the art world to this school of thought. I then explore the beginning of conceptual art and analyze this movement in context of the denunciation of the âretinal eyeâ. Subsequently, I discuss the rise of ocularcentrism in this age of advanced technology and how it shapes our perspective. Finally, I present the role of art in that regard and attempt to propose a new way to approach the phenomenon through the medium of art. Seeing and knowing Of all the human senses, the visual sense has been the most privileged in the known history of Western culture. At the time of the Ancient Greek philosophers, there was already a widespread belief in the value of empiricism, and in particular ocularcentrism. In 500BC Heraclitus wroteâThose things of which there is sight, hearing, knowledge: these are what I honor mostâ ( Fragment 55) he then clarifies âthe eyes are more exact witnesses than the earsâ .( Fragment 101a) Aristotle continues this theme, in the first lines of the Metaphysics, (890a, 21-30)âAll men naturally desire knowledge. An indication of this is our esteem for the senses; for apart from their use we esteem them for their own sake, and most of all the sense of sight. Not only with a view to action, but even when no action is contemplated, we prefer sight, generally speaking, to all the other senses. The reason of this is that of all the senses sight best helps us to know thingsâ. However, this knowledge was not just knowledge of temporal, unstable phenome>
In this paper, I would like to critically reflect and analyze the apparent ocularcentrism, that is, its hierarchical privileging of sight over the other senses, observable in the history of Western culture. To begin with I will attempt to examine the origins of this hegemony of the visual sense. Following which I move on to the critique of this ocularcentrism and discuss its opposition in philosophy, arising from the late 18th century onwards. Then I analyze the reaction of the art world to this school of thought. I then explore the beginning of conceptual art and analyze this movement in context of the denunciation of the âretinal eyeâ. Subsequently, I discuss the rise of ocularcentrism in this age of advanced technology and how it shapes our perspective. Finally, I present the role of art in that regard and attempt to propose a new way to approach the phenomenon through the medium of art. Seeing and knowing Of all the human senses, the visual sense has been the most privileged in the known history of Western culture. At the time of the Ancient Greek philosophers, there was already a widespread belief in the value of empiricism, and in particular ocularcentrism. In 500BC Heraclitus wroteâThose things of which there is sight, hearing, knowledge: these are what I honor mostâ ( Fragment 55) he then clarifies âthe eyes are more exact witnesses than the earsâ .( Fragment 101a) Aristotle continues this theme, in the first lines of the Metaphysics, (890a, 21-30)âAll men naturally desire knowledge. An indication of this is our esteem for the senses; for apart from their use we esteem them for their own sake, and most of all the sense of sight. Not only with a view to action, but even when no action is contemplated, we prefer sight, generally speaking, to all the other senses. The reason of this is that of all the senses sight best helps us to know thingsâ. However, this knowledge was not just knowledge of temporal, unstable phenome>
