Read the article: Rebels and Revolutionaries.
1
View the Film: Black in Latin America The Roots
of Division
2
and answer the following questions.
1- How long has Haiti and the Dominican Republic shared the island of Espanola?
2- Merengue is a style of music that represents the fusing of what types of cultures?
3- What does the term Indio mean in the country of Santo Domingo today?
4- Haiti won its independence in 1804 and occupied Santo Domingo in 1822. How would this
occupation impact the Dominican Republic?
5- Why do Dominican Republic heroes tend to be represented as being more white than black?
6- What was the United States doing in the Dominican Republic during the 20
th
century?
7- Why would Haitian people migrate to the Dominican Republic?
8- How do Dominican people view the Haitians?
9- What was Dominican president Trujilloâs view on Haitians, and how did they represent an
antithesis of what Trujillo sought to achieve for the Dominican Republic?
10- What skin color are Haitiâs national heroes?
11- What African cultures influenced Haitian culture?
12- What colonial power ruled over Haiti in the 1600âs?
13- How many Africans entered Haiti during the slave trade and why is this significant when
compared with the United States?
14- Haitiâs economy during colonial times was based on what crop?
15- What is Voodoo and how is this religion central to Haitian culture?
16- What role did the Voodoo religion play in Haitianâs struggle for independence against their
white colonial masters?
1
Article:
2
Video:
Sample Solution
Ella Fitzgerald Sings the Duke Ellington Songbook. Like Ellington, Ella Fitzgerald starts the tune with a similar piano tune. She at that point changes into her well known “scat” style singing. Right now, than having a specific instrument play the song, Ella sings it. The tune has an inspiring and cheerful beat, with the high caps are played with half notes, and the saxophone is the backup to Ella Fitzgerald who sings the song. The peppy rhythm is pushed by the bassline who plays quarter notes. Fitzgerald at long last finishes the tune off by including her mark scat sound. It makes the music true and separates it from different variants. The two chronicles start with a similar presentation, played utilizing pianos. In Ella Fitzgerald’s account, she is playing with a major band anyway the large band is going with her singing. In Duke Ellington’s chronicle, the song is played by the saxophone segment as opposed to having vocals. I lean toward Ellington’s form since I delighted in the manner the various segments mixed together. The two tunes were splendid and lively, notwithstanding, I appreciated how in Ellington’s form the utilization of instrumentation was solid The second melody I chose to think about was One 0 clock bounce which was formed by Count Basie in 1937. Basie worked together with saxophonist Buster Smith and arranger Eddie Durham. “One 0’Clock Jump” is an arrangement dependent on a 12-bar blues movement. 68. The first 1937 chronicle of the tune included performers, for example, saxophonists Evans and Lester Young, trumpeter Buck Clayton, bassist Walter Page, and Basie himself on piano. The first title of the melody was “Blue Balls”, which was viewed as improper for radio. Tally Basie supposedly took a gander at the clock and reacted with “One 0 Clock Jump.” The two renditions of “One 0 Clock Jump” I will think about is Basie and his band, just as Benny Goodman and his band. One 0 Clock Jump was played by the Count Basie symphony with One 0 Clock Jump being their signature tune. In Basie’s variant, he starts with a quick paced piano acquaintance It at that point advances with a more slow paced cadence with the saxophone area playing the song. The drummer keeps the rhythm by playing half note rimshots on the catch. Right now utilizes One 0 Clock Jump to end a show. The tune has high power with the instruments playing in fortissimo. After Basie’s rap up the exhibition, the symphony rehashes the continuous tune. In the end, the tune move and the tunes end with a saxophonist playing three low notes into the whole ensemble playing a harmony. The Count Basie Orchestra got one of the most well known groups of the swing period, with Basie getting known as the “Bounce King of Swing.” truth be told, Basie’s ubiquity was to such an extent that it equaled that of bandleader and clarinetist Benny Goodman. The Benny Goodman Orchestra reacted by recording their own form of the melody in 1938, which turned into a hit for them and that gathering’s initial million-selling record. 69. Benny Goodman’s chronicle starts with an uproarious presentation with trumpets blasting. It soon then >
Ella Fitzgerald Sings the Duke Ellington Songbook. Like Ellington, Ella Fitzgerald starts the tune with a similar piano tune. She at that point changes into her well known “scat” style singing. Right now, than having a specific instrument play the song, Ella sings it. The tune has an inspiring and cheerful beat, with the high caps are played with half notes, and the saxophone is the backup to Ella Fitzgerald who sings the song. The peppy rhythm is pushed by the bassline who plays quarter notes. Fitzgerald at long last finishes the tune off by including her mark scat sound. It makes the music true and separates it from different variants. The two chronicles start with a similar presentation, played utilizing pianos. In Ella Fitzgerald’s account, she is playing with a major band anyway the large band is going with her singing. In Duke Ellington’s chronicle, the song is played by the saxophone segment as opposed to having vocals. I lean toward Ellington’s form since I delighted in the manner the various segments mixed together. The two tunes were splendid and lively, notwithstanding, I appreciated how in Ellington’s form the utilization of instrumentation was solid The second melody I chose to think about was One 0 clock bounce which was formed by Count Basie in 1937. Basie worked together with saxophonist Buster Smith and arranger Eddie Durham. “One 0’Clock Jump” is an arrangement dependent on a 12-bar blues movement. 68. The first 1937 chronicle of the tune included performers, for example, saxophonists Evans and Lester Young, trumpeter Buck Clayton, bassist Walter Page, and Basie himself on piano. The first title of the melody was “Blue Balls”, which was viewed as improper for radio. Tally Basie supposedly took a gander at the clock and reacted with “One 0 Clock Jump.” The two renditions of “One 0 Clock Jump” I will think about is Basie and his band, just as Benny Goodman and his band. One 0 Clock Jump was played by the Count Basie symphony with One 0 Clock Jump being their signature tune. In Basie’s variant, he starts with a quick paced piano acquaintance It at that point advances with a more slow paced cadence with the saxophone area playing the song. The drummer keeps the rhythm by playing half note rimshots on the catch. Right now utilizes One 0 Clock Jump to end a show. The tune has high power with the instruments playing in fortissimo. After Basie’s rap up the exhibition, the symphony rehashes the continuous tune. In the end, the tune move and the tunes end with a saxophonist playing three low notes into the whole ensemble playing a harmony. The Count Basie Orchestra got one of the most well known groups of the swing period, with Basie getting known as the “Bounce King of Swing.” truth be told, Basie’s ubiquity was to such an extent that it equaled that of bandleader and clarinetist Benny Goodman. The Benny Goodman Orchestra reacted by recording their own form of the melody in 1938, which turned into a hit for them and that gathering’s initial million-selling record. 69. Benny Goodman’s chronicle starts with an uproarious presentation with trumpets blasting. It soon then >
